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ENG 2300: Vocabulary List #1
**Quiz #1: 2/11/11 between 9:00 am and 4:00pm
Film: A Critical Introduction pp.60-67
1. Exposition
2. Back-story
3. Narrative Form
4. Narrative
5. Diegesis
6. Non-Diegetic
7. Diegetic and Non-Diegetic Narrators
8. Syuzhet
9. Fabula
Understanding Movies: "The Classical Paradigm" (Online reading)
10. Protagonist
11. Antagonist
12. The Classical Paradigm
Film: A Critical Introduction pp.72-74
13. Frame Narration
14. Episodic Narrative
14. Open-Ended Narrative
Film: A Critical Introduction pp.76-83
15.First-Person Narrator
16. Third Person Narrator
17. Omniscient Narrator
18. Restricted Narration
19. Point-of-View Shot
20. Direct Address
Roland Barthes' 5 Codes of Meaning (in-class discussion)
21 Hermeneutic Code
22. Enigma
23. Delays
Film: A Critical Introduction pp.87-96
24. Forced Perspective
25. Computer-Generated Imagery (CGI)
26. Mise-en-scene
26. Mise-en-scene
Film: A Critical Introduction pp.107-119
27. Hard Light
28. Soft Light
29. Available Light
30. Three Point Lighting
31. High-Key Lighting
32. Natural-Key Lighting
33. Low-Key Lighting
34. Loose Framing
35. Tight Framing
36.Chiaroscuro Lighting
Film: A Critical Introduction pp. 119-124
37. German Expressionism
38. French Poetic Realism
ENG 2300: Vocabulary List #2
**Quiz #2: 2/25/11
Film: A Critical Introduction pp.128-151
1. Scene
2. Story Board
3. Take
4. Long Take
5. Stop-Motion Photography
6. Anime
7. Slow Motion
8. Fast Motion
9.Time Lapse Photography
10. Frozen Time Movement
11. Eye-Level Shots
12. High Angle Shots
13. Low Angle Shots
14. Dutch Angle Shot
15. Overhead Shot
16. Extreme Long Shot
17. Long Shot
18. Medium Long Shot
19. Medium Shot
20. Medium Close-Up
21. Two Shots
22. Reframing
23. Pan
24. Swish Pan
25. Tilt
26. Crab Dolly
27. Tracking Shot
28. Crane Shots
29. Aerial Shots
30. Direct Cinema
31. Handheld Shots
32.Stedicam
Film: A Critical Introduction pp.151-159
33. Focus-Puller
34. Selective Focus
35. Depth of Field
36. Fish Eye Lens
37. Rack Focus
38. Split Screen
39. Zoom Lens
40. Trombone Shot
41. Deep Focus Cinematography
42. Day for Night
Film: A Critical Introduction pp.128-151
1. Scene
2. Story Board
3. Take
4. Long Take
5. Stop-Motion Photography
6. Anime
7. Slow Motion
8. Fast Motion
9.Time Lapse Photography
10. Frozen Time Movement
11. Eye-Level Shots
12. High Angle Shots
13. Low Angle Shots
14. Dutch Angle Shot
15. Overhead Shot
16. Extreme Long Shot
17. Long Shot
18. Medium Long Shot
19. Medium Shot
20. Medium Close-Up
21. Two Shots
22. Reframing
23. Pan
24. Swish Pan
25. Tilt
26. Crab Dolly
27. Tracking Shot
28. Crane Shots
29. Aerial Shots
30. Direct Cinema
31. Handheld Shots
32.Stedicam
Film: A Critical Introduction pp.151-159
33. Focus-Puller
34. Selective Focus
35. Depth of Field
36. Fish Eye Lens
37. Rack Focus
38. Split Screen
39. Zoom Lens
40. Trombone Shot
41. Deep Focus Cinematography
42. Day for Night
ENG 2300: Vocabulary List #3
**Quiz #3: 3/18/11
Film: A Critical Introduction pp. 191-212; 221-232
1. Kuleshov Effect
2. Reverse Shot
3. Graphic Match
4. Shot Transition
5. Dissolve
6. Wipe
7. Iris-In/Iris-Out
8. Parallel Editing
9. Tableau Shot
10. Shot-Reverse-Shot
11. Eyeline Match
12. Cutaways
13. Soviet Montage
Film: A Critical Introduction pp. 213-221
14. Continuity Editing
15. Establishing Shot
16. Re-establishing Shot
17. 180 Degree Rule
18. Jump Cut
19. 30 Degree Rule
20. Match On Action
